Francisco Correa De Arauxo (1584-1654) - Facultad Organica I, 2CD: Jose Enrique Ayarra

Artist: Jose Enrique Ayarra
Album: Francisco Correa De Arauxo (1584-1654) - Facultad Organica I, 2CD
Released: 1996
Label: Almaviva
Catalog N°: DS0104-2
Genre: Classical, Organ
File Format: eac_iso_flac_cue_log covers 313MB, 315MB



Francisco Correa de Arauxo (1584–1654) was the most important Spanish composer of
organ music of seventeenth-century Spain, a skilled organist (serving at San Salvador
of Seville, the Jaèn Cathedral, and the Cathedral of Segovia), and a significant writer on
both theoretical and performance practice issues. However, his work Facultad orgánica
(1626, Alcalá), which includes an extensive foreword, sixty-nine organ compositions, and
prefaces written to these compositions, has been studied surprisingly little. Moreover,
there are inconsistencies and also factual errors found in the Correa research carried out
so far, in addition to the creditable work of several scholars. Perhaps the areas that have
involved the greatest confusion until recently have been the dates and details of Correa’s
life and the number and location of the extant exemplars of the Facultad orgánica.
Chronologically, Correa’s works represent the period between such notable Spanish
composers of organ music as Antonio de Cabezón (1510–1566) and Juan Cabanilles
(1644–1712). The Iberian keyboard music can be divided into three main epochs: the period
of the Renaissance (ca. 1500–1560), the period characterized by the divided registers (ca.
1560–1680), and the period whose major figure was Juan Cabanilles and which was marked
by the compositional type of Batalla (ca. 1680–1720). In many respects, Correa’s music –
belonging to the second of the said epochs – can be termed “revolutionary,” his having been
aptly described as having “one foot in the Renaissance and the other in the Baroque.” At
the same time, Correa’s music continues the tradition of the Spanish keyboardists leading
back to A. de Cabezón... Read more

DISC ONE
Organ of the Monastery of Santa Paula Seville
01. Canto Llano de la... (LXVIII) 03:20
02. Segundo Tiento de Sexto Tono. (XXII) 04:43
03. Segundo Tiento de Primero Tono. (XXIV) 03:24
04. Tiento de Medio Registro... (LIII) 05:38
05. Tiento de Medio Registro.... (XXXVII) 04:20
06. Segundo Tiento de Medio Registro... (XXVI) 05:13
07. Tiento de Quadro Tono (XXV) 03:55
08. Tiento Segundo de Medio Registro... (XXXIX) 04:48
09. Tiento de Medio Registro... (XL) 05:42
10. Tiento de sexto Tono (XXI) 03:45
Organ of the "Real Academia de Buenas Letras" Seville
11. Tiento de Quinto Tono (XX) 03:19
12. Tiento de Medio Registro... (XLI) 05:31
13. Sexto Tiento de Medio Registro... (XXXV) 03:54
14. Quinto Tiento de Medio Registro... (XXIX) 04:56
15. Tiento de Primero Tono (XIII) 05:02

DISC TWO
Organ of the "Real Academia de Buenas Letras" Seville
01. Seguese Diez y Seis Glosas sobre el Canto Llano "Guardame las Vacas". (LXV) 08:29
02. Tercero Tiento de Quarto Tono. (XVII) 03:25
03. Tiento de Medio Registro de Tiple de Quarto Tono. (XXXVIII) 04:39
04. Primero Tiento de Medio Registro de Baxon de Septimo Tono. (XXX) 09:01
05. Quarto Tiento de Quarto Tono. (XVIII) 04:42
06. Quinto Tiento de Quarto Tono. (XIX) 04:46
Organ of the Monastery of San Clemente
07. Tiento de Medio Registro de Tiple de Septimo Tono. (XXV) 05:26
08. Tiento de Medio Registro de Septimo Tono. (XXVII) 05:48
09. Tiento de Medio Registro de Baxon de Septimo Tono. (L) 04:12
10. Quarto Tiento de Medio Registro de Tiple de Septimo Tono. (XXVIII) 06:38
11. Seguese la muy celebre cancion "Susana". (LXI) 08:33

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pw: andaluziya

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